MANILA, Philippines—Dingdong Dantes, star of the horror flick “Segunda Mano” and Maricel Soriano of the family drama “Yesterday, Today and Tomorrow” won the top acting honors in this year’s Metro Manila Film Festival during the awards rites held at ResortsWorld Manila late Wednesday night.
Showing posts with label Metromanila Film Festival. Show all posts
Showing posts with label Metromanila Film Festival. Show all posts
12.28.2011
11.04.2011
Official Entries sa Metro Manila Festival 2011
Here is a list of the official entries:
“Enteng ng Ina Mo”
Starring: Vic Sotto and Ai-Ai delas Alas
Director: Tony Y. Reyes
Producer: Star Cinema, M-Zet Films and APT Entertainment
“My Househusband”
Starring: Ryan Agoncillo and Judy Ann Santos
Director: Jose Javier Reyes
Producer: OctoArts Films
“Panday 2”
Starring: Bong Revilla, Phillip Salvador, Iza Calzado and Marian Rivera
Director: Mac Alejandre
Producer: GMA Films, Imus Productions
“Segunda Mano”
Starring: Kris Aquino, Dingdong Dantes and Angelica Panganiban
Producer: MJM Productions
“Shake Rattle & Roll 13 (Lunod, Tamawo, Parola)”
Starring: Eugene Domingo, Paulo Avelino, Albie Casino, Maricar Reyes,
Kathryn Bernardo
Directors: Chris Martinez (Lunod), Richard Somes (Tamawo), Jerrold
Tarog (Parola)
Producer: Regal Films
“Yesterday, Today and Tomorrow”
Starring: Dennis Trillo, Heart Evangelista, Carla Abellana, and Ritz Azul
Producer: Studio 5
“Kingpin: The Asiong Salonga Story”
Starring: George ER Estregan, Phillip Salvador, Baron Geisler, Sam
Pinto, Bangs Garcia, and Carla Abellana
Director: Tikoy Aguiluz
Producer: Scenema Concepts, Viva Films
1.02.2011
Rosario-A Movie Review by Cristobal Labog
For overseas Filipinos who will not be able to see this film which won the Second Best Picture Award and the Gatpuno Cultural Award in the Metro Manila Film Festival 2010, here is a movie review of Rosario, a story of the grandmother of one of the wealthiest businessmen in the Philippines.
MANILA, Philippines – The Roaring Twenties, which began in 1921 and ended with the market crash of 1929, heralded numerous advances in art, music, fashion and social mores. As women’s suffrage became widespread, young women started staking their claim on their physiques, sparking a new age of sexual liberation.
That meant slinkier, knee-length sheathes in place of Victorian corsets and long dresses. This in turn sparked a rage in dancing and dance clubs.
Music took flight from the formalities of the three B’s (Bach, Beethoven and Brahms) into the age of jazz. Radio reached a level of sophistication equal to today’s television.
But nothing symbolized the epoch’s intoxication with freedom more than the spread of automobiles. They rapidly became affordable.
With co-ed giving women access to academe, the feminine mystique gained further momentum. Gender equality was all but complete. Men smoked, so why not women?
This made the cigarette enormously popular, what with Prohibition making alcohol illegal. Demand skyrocketed and America built tobacco plantations in far-flung territories.
These included the province of Isabela, where the epic story of the biopic “Rosario” takes place. But first things first…
Rosario (Jennilyn Mercado), the coy and coquettish “unica hija” of tobacco plantation owner Don Enrique (Phillip Salvador in a multi-layered role) and Doña Adela (the affable Eula Valdez), returns home after finishing pre-university schooling in America.
Rosario immediately makes her emancipation evident to childhood friend Carmen (conspiratorial Isabel Oli) by sharing a forbidden toke with her on the footrest of an art deco four-poster bed.
They both sport chin-length bob hairdos, topped by matching hats – typical Roaring Twenties accoutrements of the day. Doting father then takes 16-year-old Rosario on a tour of the plantation, a remarkably photographed sequence that should remind seasoned cineastes of similar terra firma in “Gone with the Wind” and the period Italian film “Novecento” by Bernardo Bertolucci.
The instant Rosario sets eyes on plantation manager Vicente (ever charismatic Yul Servo), the die is cast. Unconcerned with the prevailing, prudent conventions of male-female relationships, staunchly liberal girl seduces arch-conservative man.
Unforgiving Don Enrique catches them in flagrante delictu. He hammers Vicente to near-death, and dispatches the distressed damsel to the nunnery for shaming the family.
The lovers cannot be denied. They flee to urban Manila, get married and start a family. Fate blesses Vicente with a well-paying job, but the couple’s joy is short-lived.
The loving husband catches contagious tuberculosis, a death sentence on marital togetherness. More than Vicente, it is Rosario who suffers from the forced physical separation.
He advises her to forget these needs and focus on their children. But Rosario decides to seek employment, adding the burden of house work to Vicente’s affliction.
Enter young, virile Alberto (drop-dead gorgeous tempter Dennis Trillo), jarring Rosario from self-imposed self-denial. She first takes refuge in work and prayer, but youthful yearning breaks her resolve.
She enters into an adulterous relationship with Alberto. For a while, they find fulfillment inside his beat-up jalopy. But joy in each other’s company emboldens them to break the sanctity of home.
Vicente, who has finally recovered from his illness, catches them in the act. He hauls the adulterers to court where they’re found guilty and sentenced to exile.
Three years later, they return to Manila and start living in a boarding house where Rosario meets the third and final love of her life. This is the youthful Carding, played with culpable charm by Sid Lucero.
She fends off his innocent affection, for with the passage of time, at the ripe age of 39, she has finally tethered her passion. Or has she?
Alberto P. Martinez (the name Albert Martinez, the actor, has adopted as director) directs star-studded “Rosario.” What a debut! The way his film’s elements coalesce into a unified whole – from the first-rate acting of everybody in the cast to the telling competence of everybody in the crew – has exceeded expectations and makes us wonder what he he’ll do next.
Among the actors, I must cite Jennylyn Mercado’s Rosario. Her understated, masterful reading of the role has elevated this unique persona alongside Mia Farrow’s Daisy in that Roaring Twenties classic “The Great Gatsby.” She achieves this with the help no doubt of the talented trio of Yul Servo, Dennis Trillo and Sid Lucero and the compelling cameos of Empress Schuck and Dolphy, who narrates “Rosario” with charismatic conviction.
Ricky Davao reinvents himself with a hugely memorable ogre of a role as Miguel. You’ll surely wish him dead.
Among the crew members, let us salute production designers Joel Luna and Miki Hahn who also did the costumes. Did they use a time machine to bring us this level of authenticity? Of course, movies are the art of the 20th and 21st centuries, so take a bow with your treasured Alexa digital camera, cinematographer Carlo Mendoza and editor John Wong. Alberto Chang, I want a CD of your musical score. Elmer L. Gatchalian, what a nuanced screenplay! Executive Producer Bong Sta. Maria, you just found your calling. Mr. Manny Pangilinan, carry on.
“Rosario” is a Cinemabuhay International with Studio 5 presentation. It runs for approx. 100 minutes and is rated GP.
Cristobal Labog has worked as a copywriter, creative director and strategic planner for advertising agencies in Manila, Hong Kong, Tokyo, Brussels and Amsterdam. He divides his time between Trabzon, Turkey, on the Black Sea and Mandaluyong in Metro Manila. E-mail crislabog@gmail.com for questions and comments.
MANILA, Philippines – The Roaring Twenties, which began in 1921 and ended with the market crash of 1929, heralded numerous advances in art, music, fashion and social mores. As women’s suffrage became widespread, young women started staking their claim on their physiques, sparking a new age of sexual liberation.
That meant slinkier, knee-length sheathes in place of Victorian corsets and long dresses. This in turn sparked a rage in dancing and dance clubs.
Music took flight from the formalities of the three B’s (Bach, Beethoven and Brahms) into the age of jazz. Radio reached a level of sophistication equal to today’s television.
But nothing symbolized the epoch’s intoxication with freedom more than the spread of automobiles. They rapidly became affordable.
With co-ed giving women access to academe, the feminine mystique gained further momentum. Gender equality was all but complete. Men smoked, so why not women?
This made the cigarette enormously popular, what with Prohibition making alcohol illegal. Demand skyrocketed and America built tobacco plantations in far-flung territories.
These included the province of Isabela, where the epic story of the biopic “Rosario” takes place. But first things first…
Rosario (Jennilyn Mercado), the coy and coquettish “unica hija” of tobacco plantation owner Don Enrique (Phillip Salvador in a multi-layered role) and Doña Adela (the affable Eula Valdez), returns home after finishing pre-university schooling in America.
Rosario immediately makes her emancipation evident to childhood friend Carmen (conspiratorial Isabel Oli) by sharing a forbidden toke with her on the footrest of an art deco four-poster bed.
They both sport chin-length bob hairdos, topped by matching hats – typical Roaring Twenties accoutrements of the day. Doting father then takes 16-year-old Rosario on a tour of the plantation, a remarkably photographed sequence that should remind seasoned cineastes of similar terra firma in “Gone with the Wind” and the period Italian film “Novecento” by Bernardo Bertolucci.
The instant Rosario sets eyes on plantation manager Vicente (ever charismatic Yul Servo), the die is cast. Unconcerned with the prevailing, prudent conventions of male-female relationships, staunchly liberal girl seduces arch-conservative man.
Unforgiving Don Enrique catches them in flagrante delictu. He hammers Vicente to near-death, and dispatches the distressed damsel to the nunnery for shaming the family.
The lovers cannot be denied. They flee to urban Manila, get married and start a family. Fate blesses Vicente with a well-paying job, but the couple’s joy is short-lived.
The loving husband catches contagious tuberculosis, a death sentence on marital togetherness. More than Vicente, it is Rosario who suffers from the forced physical separation.
He advises her to forget these needs and focus on their children. But Rosario decides to seek employment, adding the burden of house work to Vicente’s affliction.
Enter young, virile Alberto (drop-dead gorgeous tempter Dennis Trillo), jarring Rosario from self-imposed self-denial. She first takes refuge in work and prayer, but youthful yearning breaks her resolve.
She enters into an adulterous relationship with Alberto. For a while, they find fulfillment inside his beat-up jalopy. But joy in each other’s company emboldens them to break the sanctity of home.
Vicente, who has finally recovered from his illness, catches them in the act. He hauls the adulterers to court where they’re found guilty and sentenced to exile.
Three years later, they return to Manila and start living in a boarding house where Rosario meets the third and final love of her life. This is the youthful Carding, played with culpable charm by Sid Lucero.
She fends off his innocent affection, for with the passage of time, at the ripe age of 39, she has finally tethered her passion. Or has she?
Alberto P. Martinez (the name Albert Martinez, the actor, has adopted as director) directs star-studded “Rosario.” What a debut! The way his film’s elements coalesce into a unified whole – from the first-rate acting of everybody in the cast to the telling competence of everybody in the crew – has exceeded expectations and makes us wonder what he he’ll do next.
Among the actors, I must cite Jennylyn Mercado’s Rosario. Her understated, masterful reading of the role has elevated this unique persona alongside Mia Farrow’s Daisy in that Roaring Twenties classic “The Great Gatsby.” She achieves this with the help no doubt of the talented trio of Yul Servo, Dennis Trillo and Sid Lucero and the compelling cameos of Empress Schuck and Dolphy, who narrates “Rosario” with charismatic conviction.
Ricky Davao reinvents himself with a hugely memorable ogre of a role as Miguel. You’ll surely wish him dead.
Among the crew members, let us salute production designers Joel Luna and Miki Hahn who also did the costumes. Did they use a time machine to bring us this level of authenticity? Of course, movies are the art of the 20th and 21st centuries, so take a bow with your treasured Alexa digital camera, cinematographer Carlo Mendoza and editor John Wong. Alberto Chang, I want a CD of your musical score. Elmer L. Gatchalian, what a nuanced screenplay! Executive Producer Bong Sta. Maria, you just found your calling. Mr. Manny Pangilinan, carry on.
“Rosario” is a Cinemabuhay International with Studio 5 presentation. It runs for approx. 100 minutes and is rated GP.
Cristobal Labog has worked as a copywriter, creative director and strategic planner for advertising agencies in Manila, Hong Kong, Tokyo, Brussels and Amsterdam. He divides his time between Trabzon, Turkey, on the Black Sea and Mandaluyong in Metro Manila. E-mail crislabog@gmail.com for questions and comments.
12.27.2008
METRO MANILA FILM FESTIVAL AWARDS
Baler garnered the most awards in the Metro Manila Film Festival for the year 2008.
The winners are:
The winners are:
MANILA, Philippines— (UPDATE 4) A period film that depicts the last stand of Spanish forces amid the fall of colonization by the end of the 19th century bagged the most number of creative, acting and technical awards in the Metro Manila Film Festival awards night on Saturday.
Viva Films’ "Baler," which aims to retell a contentious event of the Philippine revolution that happened in the church of San Luis de Tolosa in Baler, Aurora from July 1998 to June 1899, won ten awards, including Best Picture, Best Actress for Anne Curtis, Best Director for Mark Meily, Best Screenplay for Roy Iglesias, Best Supporting Actor for Phillip Salvador, Best Cinematography for Lee Meily, Best Production Design for Aped Santos, Best Editing for Danny Anonuevo, the Gender-Sensitive Award and the Gatpuno Antonio J. Villegas Cultural Award.
Curtis won her first-ever acting award for her portrayal of Baler lass Feliza Reyes in love with a Spanish-Filipino trooper Celso Resurreccion (Jericho Rosales) in the historic siege.
"The fact that I was up against veteran actresses, who have won numerous awards in the past, made this trophy even more meaningful," Curtis said. She competed with veteran actresses Ai-Ai delas Alas ("Ang Tanging Ina N'yong Lahat"), Maricel Laxa, Dawn Zulueta (both for "Magkaibigan"), among others, for the Best Actress title.
"This is also for Echo (Rosales' nickname), who also worked really hard for this film. He's one of the best actors I know," Anne told the Philippine Daily Inquirer shortly after the awards ceremony held at the Sofitel Hotel in Pasay City.
Meily earned his second MMFF Best Director award after winning the same plum for “Crying Ladies” in 2003. His wife Lee also took home her first MMFF award.
Christopher de Leon, meanwhile, received his eighth festival Best Actor award, the most by any artist in its 34-year history, for a role inspired by the late Rudy Fernandez in the Maverick Films drama “Magkaibigan” opposite last year’s awardee Jinggoy Estrada.
Comedian-TV host Manilyn Reynes pulled a surprise when she was named Best Supporting Actress for her portrayal as a lesbian talent coordinator in Canary Films’ sex comedy “One Night Only,” which also won Best Original Story for its director Jose Javier Reyes. "She's a last minute replacement," said Reyes, who accepted the award in Manilyn's behalf. "I did not regret asking her to be a part of this film."
Newcomer Robert Villar, better known in the fantasy series “Dyesebel” as the mermaid’s trusted child friend “Buboy,” won Best Child Performer in Regal Films’ horror franchise “Shake, Rattle and Roll X.” Regal’s other festival entry, “Desperadas 2,” on the other hand, also won one award—Best Make-Up for Noli Villalobos.
The entry with the second most number of awards was the festival’s first-ever animated film, “Dayo Sa Mundo ng Elementalia,” which won four awards—Best Visual Effects (Robert Quilao), Best Musical Score (Jessie Lasaten), Best Theme Song (“Lipad” written by Jessie Lasaten and Artemio Abad Jr. and performed by Lea Salonga), and Best Sound (Albert Idioma and Wally Dellosa).
This year’s box office top grossers, Star Cinema’s “Tanging Ina N’yong Lahat” and the OctoArts Films-M-Zet Productions-APT Entertainment collaboration “Iskul Bukol: 20 Years After” won second and third festival Best Picture awards respectively.
1.05.2008
MetroManila Film Festival 2007 WINNERS
Cathy reports on the the winners of the Metromanila FILM FESTIVAL.
Best picture: RESIKLO
Best Actor: Jinggoy Estrada
Best Actress: Maricel Soriano
Best Supporting Actress: Eugene Domingo
Best Supporting Actor : Roi Vinzon
Best Director: Cesar Apolinario
Best Child Actor: Nash Aguas
Gatpuno Antonio Villegas Cultural Award was given to Regal Entertainment’s “Bahay Kubo” and Maverick Films’ “Katas ng Saudi.”
Ito ang balita:
Tags:
entertainment,Anak ng Kumander,MetroManila Festival,Manny Pacquiao,Desperadas,Ruffa Gutierrez,Bahay Kubo,Maricel Soriano,Sakal,Sakali,Saklolo,Ryan Agoncillo,Judy Ann Santos,Enteng Kabisote,Kristine Hermosa,Vic Sotto
Best picture: RESIKLO
Best Actor: Jinggoy Estrada
Best Actress: Maricel Soriano
Best Supporting Actress: Eugene Domingo
Best Supporting Actor : Roi Vinzon
Best Director: Cesar Apolinario
Best Child Actor: Nash Aguas
Gatpuno Antonio Villegas Cultural Award was given to Regal Entertainment’s “Bahay Kubo” and Maverick Films’ “Katas ng Saudi.”
Ito ang balita:
The fantasy film about robots made from recycled material battling evil forces copped the coveted 2007 Metro Manila Film Festival Best Picture plum during the Awards Night Saturday at the SMX Convention Center, SM Mall of Asia in Pasay City.
Imus Productions and Ignite Media’s “Resiklo” bested eight other entries in the annual filmfest, including the favorites “Sakal, Sakali, Saklolo” (2nd place) from Star Cinema and “Enteng Kabisote 4: Okay Ka Fairy Ko (The Beginning of a Legend)” (3rd Place) from M-Zet Productions/OctoArts Films.
Sen. Jinggoy Estrada, meanwhile, won Best Actor for Maverick Films’ “Katas ng Saudi” a story of the plight of returning Overseas Filipino Workers. Maricel Soriano, on the other hand, won the Best Actress award for her stellar performance in Regal Entertainment’s “Bahay Kubo.”
First-time director and GMA-7 news reporter Cesar Apolinario won Best Director for his maiden project, “Banal.”
Jose Javier Reyes, meanwhile, won Best Screenplay for “Katas ng Saudi.” Roi Vinzons bagged the Best Supporting Actor plum for “Resiklo.” Eugene Domingo, on the other hand, won Best Supporting Actress for “Bahay Kubo”.
The Gatpuno Antonio Villegas Cultural Award was given to Regal Entertainment’s “Bahay Kubo” and Maverick Films’ “Katas ng Saudi.”
“Resiklo” led all in technical plums, with Best Visual Effects (Ignite Media), Best Cinematography (Jay Linao), Best Editing (Jay Halili), and Best Sound (Ditoy Aguila).
Meanwhile, the creative awards were spread almost evenly among entries. Mae Cruz and Cesar Apolinario won Best Story for “Banal,” while Nash Aguas won Best Child Performer for “Shake, Rattle and Roll 9.”
Von de Guzman won Best Musical Score for “Bahay Kubo” and Rusty Fernandez composed the Best Original Theme Song, “Wala Na Bang Pag-asa?” for “Anak ng Kumander.”
Rodel Cruz won Best Production Design for “Resiklo” and Rosalinda Lopez took home Best Make-Up for “Desperadas.”
“Desperadas” was also named the festival’s Most Gender Sensitive Film.
Tags:
entertainment,Anak ng Kumander,MetroManila Festival,Manny Pacquiao,Desperadas,Ruffa Gutierrez,Bahay Kubo,Maricel Soriano,Sakal,Sakali,Saklolo,Ryan Agoncillo,Judy Ann Santos,Enteng Kabisote,Kristine Hermosa,Vic Sotto
12.31.2007
SAKAL, SAKALI, SAKLOLO OVERTAKES ENTENG KABISOTE
Sakal, Sakali, Saklolo is now number one in the Metromanila Film Festival.
MANILA, Philippines—As the crucial weekend grosses come in, Star Cinema’s “Sakal, Sakali, Saklolo” overtakes OctoArts’ “Enteng Kabisote 4” in the box-office race of the 33rd Metro Manila Film Festival.
“Sakal,” sequel to last year’s top-grosser “Kasal, Kasali, Kasalo,” posted P68.3 million. On the other hand, “Enteng,” fourth instalment of the fantasy franchise starring TV host Vic Sotto, earned P66.6 million.
Third place goes to Regal’s “Shake, Rattle & Roll 9,” with P41.6 million.
Imus/Ignite’s “Resiklo” is in fourth place, with P15.6 million; MaQ’s “Bahay Kubo,” fifth, P12.6 million; and Maverick’s “Katas ng Saudi,” sixth, P2.8 million.
As of Dec. 30, total MMFF earnings is P208 million.
Ric Camaligan, MMFF executive committee member, provided the latest box office figures.
Camaligan credits the festival’s “Cash sa Pelikula” promo for the good box-office showing.
“Sakal” director Jose Javier Reyes, who is currently vacationing in Boracay, says that he is happy with the strong performance of “Sakal” at the tills, but hopes “movies that are different will also be given a chance by moviegoers.”
“We can’t have a festival of sequels every year,” he notes “We can’t have ‘Enteng,’ ‘Sakal,’ ‘Shake’ and ‘Mano Po’ every year. I believe the success of ‘Sakal’ is a carryover from last year’s ‘Kasal.’ More than ‘Katas’ [which he also directed], I hope new films like ‘Banal’ which opens Jan. 1 will also do well.
Source: inquirer
entertainment,Anak ng Kumander,MetroManila Festival,Manny Pacquiao,Desperadas,Ruffa Gutierrez,Bahay Kubo,Maricel Soriano,Sakal,Sakali,Saklolo,Ryan Agoncillo,Judy Ann Santos,Enteng Kabisote,Kristine Hermosa,Vic Sotto
MANILA, Philippines—As the crucial weekend grosses come in, Star Cinema’s “Sakal, Sakali, Saklolo” overtakes OctoArts’ “Enteng Kabisote 4” in the box-office race of the 33rd Metro Manila Film Festival.
“Sakal,” sequel to last year’s top-grosser “Kasal, Kasali, Kasalo,” posted P68.3 million. On the other hand, “Enteng,” fourth instalment of the fantasy franchise starring TV host Vic Sotto, earned P66.6 million.
Third place goes to Regal’s “Shake, Rattle & Roll 9,” with P41.6 million.
Imus/Ignite’s “Resiklo” is in fourth place, with P15.6 million; MaQ’s “Bahay Kubo,” fifth, P12.6 million; and Maverick’s “Katas ng Saudi,” sixth, P2.8 million.
As of Dec. 30, total MMFF earnings is P208 million.
Ric Camaligan, MMFF executive committee member, provided the latest box office figures.
Camaligan credits the festival’s “Cash sa Pelikula” promo for the good box-office showing.
“Sakal” director Jose Javier Reyes, who is currently vacationing in Boracay, says that he is happy with the strong performance of “Sakal” at the tills, but hopes “movies that are different will also be given a chance by moviegoers.”
“We can’t have a festival of sequels every year,” he notes “We can’t have ‘Enteng,’ ‘Sakal,’ ‘Shake’ and ‘Mano Po’ every year. I believe the success of ‘Sakal’ is a carryover from last year’s ‘Kasal.’ More than ‘Katas’ [which he also directed], I hope new films like ‘Banal’ which opens Jan. 1 will also do well.
Source: inquirer
entertainment,Anak ng Kumander,MetroManila Festival,Manny Pacquiao,Desperadas,Ruffa Gutierrez,Bahay Kubo,Maricel Soriano,Sakal,Sakali,Saklolo,Ryan Agoncillo,Judy Ann Santos,Enteng Kabisote,Kristine Hermosa,Vic Sotto
12.29.2007
MetroManila Film Festival 2007
Metromanila Film Festival 2007
Related Articles:
1. Metromanila Festival Parade
2. Official Entries
2.1 KATAS NG SAUDI
2.2 RESIKLO
2.3 “Enteng Kabisote 4: Okay Ka, Fairy Ko (The Beginning of a Legend)”
2.4 SHAKE, RATTLE & ROLL 9 -
2.5 Sakal, Sakali, Saklolo
2.6 Anak ng Kumander
3.Sakal, Sakali, Saklolo is now number one in the Metromanila Film Festival.
entertainment,Anak ng Kumander,MetroManila Festival,Manny Pacquiao,Desperadas,Ruffa Gutierrez,Bahay Kubo,Maricel Soriano,Sakal,Sakali,Saklolo,Ryan Agoncillo,Judy Ann Santos,Enteng Kabisote,Kristine Hermosa,Vic Sotto
Related Articles:
1. Metromanila Festival Parade
2. Official Entries
2.1 KATAS NG SAUDI
2.2 RESIKLO
2.3 “Enteng Kabisote 4: Okay Ka, Fairy Ko (The Beginning of a Legend)”
2.4 SHAKE, RATTLE & ROLL 9 -
2.5 Sakal, Sakali, Saklolo
2.6 Anak ng Kumander
3.Sakal, Sakali, Saklolo is now number one in the Metromanila Film Festival.
entertainment,Anak ng Kumander,MetroManila Festival,Manny Pacquiao,Desperadas,Ruffa Gutierrez,Bahay Kubo,Maricel Soriano,Sakal,Sakali,Saklolo,Ryan Agoncillo,Judy Ann Santos,Enteng Kabisote,Kristine Hermosa,Vic Sotto
12.26.2007
ANAK NG KUMANDER -Metromanila Film Festival 2007 Movie Entry
Anak ng Kumander
MP Promotions

Stars Manny Pacquiao, Ara Mina, Valerie Concepcion, Lara Morena, Roi Vinzon, Efren Reyes Jr., Perla Bautista, Dante Rivero, Alvin Anson, Long Mejia, Conrad Poe, Roldan Aquino, Rogelio Pacquiao
Directed by Jose “Kaka” Balagtas
Boxer Pacquiao is Edel, son of a rebel leader of indeterminate ideology. He continues the armed struggle to avenge the murder of his father (Rivero). YouTube critics are harsh, ranting that this flick is a cross between “Rambo” and the Thai film “Ong-Bak.” Also, Manny’s “masamang damo” quip and Ara’s line about being a “namumukadkad na bulaklak” rival Mark Lapid’s “puso ng saging” quote in a different action dud (“Apoy sa Dibdib ng Samar”).
source: Inquirer
entertainment,Anak ng Kumander,MetroManila Festival,Manny Pacquiao
MP Promotions

Stars Manny Pacquiao, Ara Mina, Valerie Concepcion, Lara Morena, Roi Vinzon, Efren Reyes Jr., Perla Bautista, Dante Rivero, Alvin Anson, Long Mejia, Conrad Poe, Roldan Aquino, Rogelio Pacquiao
Directed by Jose “Kaka” Balagtas
Boxer Pacquiao is Edel, son of a rebel leader of indeterminate ideology. He continues the armed struggle to avenge the murder of his father (Rivero). YouTube critics are harsh, ranting that this flick is a cross between “Rambo” and the Thai film “Ong-Bak.” Also, Manny’s “masamang damo” quip and Ara’s line about being a “namumukadkad na bulaklak” rival Mark Lapid’s “puso ng saging” quote in a different action dud (“Apoy sa Dibdib ng Samar”).
source: Inquirer
entertainment,Anak ng Kumander,MetroManila Festival,Manny Pacquiao
DESPERADAS-Metromanila Film Festival 2007 Movie Entry
Desperadas: All They Need Is Love
Regal Entertainment

Stars: Ruffa Gutierrez, Rufa Mae Quinto, Iza Calzado and Marian Rivera.
Directed by Joel Lamangan
The film is a comedy about four half-sisters and how they cope with family issues. In the end, they realize that all they need to do so is love. Gutierrez lays the bratty Isabela, a single mother. Quinto is the carefree Patricia, a sexologist by profession. Iza Calzado portrays the demure and conservative lawyer Stephanie. She secretly buys the book Patricia has written, in an attempt to save her marriage. Rivera portrays Courtney, the youngest, a swim wear/underwear designer engaged to a basketball star.
source: Inquirer
entertainment,Desperadas,MetroManila Festival,Ruffa Gutierrez
Regal Entertainment

Stars: Ruffa Gutierrez, Rufa Mae Quinto, Iza Calzado and Marian Rivera.
Directed by Joel Lamangan
The film is a comedy about four half-sisters and how they cope with family issues. In the end, they realize that all they need to do so is love. Gutierrez lays the bratty Isabela, a single mother. Quinto is the carefree Patricia, a sexologist by profession. Iza Calzado portrays the demure and conservative lawyer Stephanie. She secretly buys the book Patricia has written, in an attempt to save her marriage. Rivera portrays Courtney, the youngest, a swim wear/underwear designer engaged to a basketball star.
source: Inquirer
entertainment,Desperadas,MetroManila Festival,Ruffa Gutierrez
BAHAY KUBO-Metromanila Film Festival 2007-Movie Entry
“Bahay Kubo: A Pinoy Mano Po”
Regal Entertainment

Stars: Maricel Soriano, Eric Quizon, Marian Rivera, Shaina Magdayao, Mark Herras, Yasmien Kurdi, Rayver Cruz, Eugene Domingo, Bearwin Meily, Jiro Manio, Isabella de Leon, Rita Iringan, and Gloria Romero
Directed by Joel Lamangan
Soriano plays the central character, Eden, in this dramedy about a family’s journey from the trouble-free country to the crisis-filled city. Eden has chosen to take care of seven kids, six of whom she adopted. Complications arise with the family’s transfer, prompting several tearful separations. “The role mirrors my real life because I have an adopted son and a biological son. I can relate to a mother’s great capacity to love,” Soriano said.
source: Inquirer
entertainment,Bahay Kubo,MetroManila Festival,Maricel Soriano
Regal Entertainment

Stars: Maricel Soriano, Eric Quizon, Marian Rivera, Shaina Magdayao, Mark Herras, Yasmien Kurdi, Rayver Cruz, Eugene Domingo, Bearwin Meily, Jiro Manio, Isabella de Leon, Rita Iringan, and Gloria Romero
Directed by Joel Lamangan
Soriano plays the central character, Eden, in this dramedy about a family’s journey from the trouble-free country to the crisis-filled city. Eden has chosen to take care of seven kids, six of whom she adopted. Complications arise with the family’s transfer, prompting several tearful separations. “The role mirrors my real life because I have an adopted son and a biological son. I can relate to a mother’s great capacity to love,” Soriano said.
source: Inquirer
entertainment,Bahay Kubo,MetroManila Festival,Maricel Soriano
SAKAL, SAKALI, SAKLOLO -Metromanila Film Festival 2007 Movie entry
Sakal, Sakali, Saklolo
Star Cinema

Stars: Judy Ann Santos, Ryan Agoncillo, Gina Pareño, Soliman Cruz, Ariel Ureta and Gloria Diaz
Directed by Jose Javier Reyes
Santos and Agoncillo reprise their roles as Angie and Jed in this sequel to the 2006 MMFF top-grosser “Kasal, Kasali, Kasalo.” The film takes off when Angie and Jed’s son turns 4. The couple, burdened by the demands of parenthood, decide to leave their child in the care of friends to go abroad. This causes consternation to their moms who insisted that they take turns in taking care of the child, an arrangement that leads to disaster.
source: Inquirer
entertainment,Sakal,Sakali,Saklolo,MetroManila Festival,Judy Ann Santos
Star Cinema

Stars: Judy Ann Santos, Ryan Agoncillo, Gina Pareño, Soliman Cruz, Ariel Ureta and Gloria Diaz
Directed by Jose Javier Reyes
Santos and Agoncillo reprise their roles as Angie and Jed in this sequel to the 2006 MMFF top-grosser “Kasal, Kasali, Kasalo.” The film takes off when Angie and Jed’s son turns 4. The couple, burdened by the demands of parenthood, decide to leave their child in the care of friends to go abroad. This causes consternation to their moms who insisted that they take turns in taking care of the child, an arrangement that leads to disaster.
source: Inquirer
entertainment,Sakal,Sakali,Saklolo,MetroManila Festival,Judy Ann Santos
12.25.2007
SHAKE, RATTLE & ROLL 9 - Metromanila Film Festival 2007 Movie Entry
SHAKE, RATTLE & ROLL 9 -
Regal Entertainment
Regal declares this year’s “Shake” trilogy as the “scariest and most expensive” to date. Its producer claims it does not only have the biggest stars from giant networks ABS-CBN and GMA 7, it also has the “most impressive horror visuals and most difficult to mount scenes in cinema history.”

“Christmas Tree”
Stars: Lovi Poe, John Prats Gina Alajar, Nash Aguas, John Lapus, Sophia Baars, Boots Anson-Roa and Tonton Gutierrez
Directed by Paul Daza
In the story, Poe’s father has passed away. She and the rest of her family visit relatives out of town, one of whom is Prats, whose home has a big, eerie-looking 8-ft. Christmas tree that, at night, turns into a giant monster with arms and legs.
“Bangungot”
Stars: Dennis Trillo, Roxanne Guinoo and Pauleen Luna
Directed by Mike Tuviera
In this episode, a red-cloaked figure is after Guinoo, who unwittingly cast a spell just so she could dream of the man she’s in love with—Trillo. A flyover in Manila was closed to shoot a thrilling chase between the red-cloaked Bangungot and the protagonists.
“Engkanto”
Stars: Katrina Halili, Matt Evans, Melissa Ricks, Mart Escudero, Jewel Mische, Felix Roco and Sam Concepcion
Directed by Topel Lee
Halili, who plays the “Engkanto,” is out to scare a band of musicians vacationing at a beach resort situated several miles away from Metro Manila. For this episode, countless talents were recruited, each was fitted with zombie costumes and made to wear prosthetics.
source: Inquirer
entertainment,Shake, Rattle and Roll,MetroManila Festival,Lovi Poe
Regal Entertainment
Regal declares this year’s “Shake” trilogy as the “scariest and most expensive” to date. Its producer claims it does not only have the biggest stars from giant networks ABS-CBN and GMA 7, it also has the “most impressive horror visuals and most difficult to mount scenes in cinema history.”

“Christmas Tree”
Stars: Lovi Poe, John Prats Gina Alajar, Nash Aguas, John Lapus, Sophia Baars, Boots Anson-Roa and Tonton Gutierrez
Directed by Paul Daza
In the story, Poe’s father has passed away. She and the rest of her family visit relatives out of town, one of whom is Prats, whose home has a big, eerie-looking 8-ft. Christmas tree that, at night, turns into a giant monster with arms and legs.
“Bangungot”
Stars: Dennis Trillo, Roxanne Guinoo and Pauleen Luna
Directed by Mike Tuviera
In this episode, a red-cloaked figure is after Guinoo, who unwittingly cast a spell just so she could dream of the man she’s in love with—Trillo. A flyover in Manila was closed to shoot a thrilling chase between the red-cloaked Bangungot and the protagonists.
“Engkanto”
Stars: Katrina Halili, Matt Evans, Melissa Ricks, Mart Escudero, Jewel Mische, Felix Roco and Sam Concepcion
Directed by Topel Lee
Halili, who plays the “Engkanto,” is out to scare a band of musicians vacationing at a beach resort situated several miles away from Metro Manila. For this episode, countless talents were recruited, each was fitted with zombie costumes and made to wear prosthetics.
source: Inquirer
entertainment,Shake, Rattle and Roll,MetroManila Festival,Lovi Poe
BANAL-Metromanila Film Festival 2007 Movie Entry
BANAL
ComGuild Films

Stars: Christopher de Leon, Alfred Vargas, Paolo Contis, Cass Ponti, Paolo Paraiso, Joey Smith, Evangeline Pascual, Ina Alegre, Leo Martinez, Roy Alvarez
Directed by Cesar Apolinario
Two cops—one idealistic (Contis), the other corrupt (Vargas)—undergo SWAT training with a topnotch but sadistic mentor (De Leon). The rookies’ mettle and values are later tested when they uncover an assassination plot against the visiting Pope. Graded B by the Cinema Evaluation Board, the suspense-drama “sets a new tempo for Pinoy action films,” according to a CEB reviewer (see related story below). The board also commends debuting director Apolinario, a GMA 7 news reporter, for his “firm grasp of the material. It’s well-researched and correctly portrays local media.” The board similarly praises the performances of Vargas, Contis, and De Leon.
Source: Inquirer
entertainment,Enteng Kabisote,MetroManila Festival,Christopher de Leon
ComGuild Films

Stars: Christopher de Leon, Alfred Vargas, Paolo Contis, Cass Ponti, Paolo Paraiso, Joey Smith, Evangeline Pascual, Ina Alegre, Leo Martinez, Roy Alvarez
Directed by Cesar Apolinario
Two cops—one idealistic (Contis), the other corrupt (Vargas)—undergo SWAT training with a topnotch but sadistic mentor (De Leon). The rookies’ mettle and values are later tested when they uncover an assassination plot against the visiting Pope. Graded B by the Cinema Evaluation Board, the suspense-drama “sets a new tempo for Pinoy action films,” according to a CEB reviewer (see related story below). The board also commends debuting director Apolinario, a GMA 7 news reporter, for his “firm grasp of the material. It’s well-researched and correctly portrays local media.” The board similarly praises the performances of Vargas, Contis, and De Leon.
Source: Inquirer
entertainment,Enteng Kabisote,MetroManila Festival,Christopher de Leon
ENTENG KABISOTE 4 -Metromanila Film Festival 2007 Movie Entry
“Enteng Kabisote 4: Okay Ka, Fairy Ko (The Beginning of a Legend)”
M-Zet Productions/OctoArts Films

Stars: Vic Sotto, Kristine Hermosa, G Tongi, Oyo Sotto, Aiza Seguerra, Jose Manalo, Ruby Rodriguez, Ian Veneracion, Francine Prieto, Michael de Mesa, Caridad Sanchez and Joey de Leon
Directed by Tony R. Reyes
We have followed the life of the kind-hearted and funny mortal named Enteng and his wife Faye—a fairy from the magical world of Engkantasya—and joined them in their adventures battling the evil Santana. This year, audiences will be watching a prequel to the first three “Enteng” movies. “This will help young viewers, who did not see the sitcom on TV in the ’90s, understand the characters more,” said lead actor Sotto.
source: Inquirer
entertainment,Enteng Kabisote,MetroManila Festival,Vic Sotto
M-Zet Productions/OctoArts Films

Stars: Vic Sotto, Kristine Hermosa, G Tongi, Oyo Sotto, Aiza Seguerra, Jose Manalo, Ruby Rodriguez, Ian Veneracion, Francine Prieto, Michael de Mesa, Caridad Sanchez and Joey de Leon
Directed by Tony R. Reyes
We have followed the life of the kind-hearted and funny mortal named Enteng and his wife Faye—a fairy from the magical world of Engkantasya—and joined them in their adventures battling the evil Santana. This year, audiences will be watching a prequel to the first three “Enteng” movies. “This will help young viewers, who did not see the sitcom on TV in the ’90s, understand the characters more,” said lead actor Sotto.
source: Inquirer
entertainment,Enteng Kabisote,MetroManila Festival,Vic Sotto
RESIKLO -Metromanila Film Festival Entry
RESIKLO
“Resiklo”
Imus Productions/Ignite Media

Stars Bong Revilla, Dingdong Dantes, Jennylyn Mercado, Paolo Contis, Benjie Paras, TJ Trinidad, Roi Vinzon, Jolo Revilla, Bryan Revilla, Michelle Madrigal, Jairus Aquino, Ella Cruz, Bobby Andrews
Directed by Mark Reyes
In 2021, a resistance group of humans, led by former military officer Crisval (Revilla), defends a “recycled” sanctuary called Paraiso against aliens. Director Reyes says that “40 percent of the film is CGI (computer-generated imagery).” He asserts that he came up with the concept for this sci-fi flick “long before there was news about ‘Transformers.’” Dave Hukom of Ignite insists that “the movie’s robots are products of Pinoy ingenuity and resilience.” Reyes recalls: “I made a 10-minute pitch tape and, after Sen. Bong saw it, he wanted to do it immediately.” Says Hukom: “There are definitely more effects than ‘Exodus’ (Revilla’s last MMFF movie).”
source: Inquirer
entertainment,Bong Revilla,MetroManila Festival,Resiklo
“Resiklo”
Imus Productions/Ignite Media

Stars Bong Revilla, Dingdong Dantes, Jennylyn Mercado, Paolo Contis, Benjie Paras, TJ Trinidad, Roi Vinzon, Jolo Revilla, Bryan Revilla, Michelle Madrigal, Jairus Aquino, Ella Cruz, Bobby Andrews
Directed by Mark Reyes
In 2021, a resistance group of humans, led by former military officer Crisval (Revilla), defends a “recycled” sanctuary called Paraiso against aliens. Director Reyes says that “40 percent of the film is CGI (computer-generated imagery).” He asserts that he came up with the concept for this sci-fi flick “long before there was news about ‘Transformers.’” Dave Hukom of Ignite insists that “the movie’s robots are products of Pinoy ingenuity and resilience.” Reyes recalls: “I made a 10-minute pitch tape and, after Sen. Bong saw it, he wanted to do it immediately.” Says Hukom: “There are definitely more effects than ‘Exodus’ (Revilla’s last MMFF movie).”
source: Inquirer
entertainment,Bong Revilla,MetroManila Festival,Resiklo
KATAS NG SAUDI-MetroManila Film Festival 2007 Entry
KATAS NG SAUDI
Producer:Maverick Films
Stars Jinggoy Estrada, Lorna Tolentino, Liza Lorena, Vangie Labalan, Bayani Agbayani, Shaina Magdayao, Rayver Cruz, Ricky Davao, Julian Ejercito
Directed by Jose Javier Reyes
A typical Overseas Filipino Worker, Oscar (Estrada) returns to the Philippines for a holiday, only to find that his children have become strangers and his family, both immediate and extended, are dependent on his dollar earnings. Graded A by the Cinema Evaluation Board, this comedy-drama is commended for being an “exceptionally crafted film … very touching, insightful, brimming with sensitivity. Very Filipino, very heartfelt.” A CEB reviewer points out that the film “successfully tackles the plight of OFWs.” The acting of the lead stars is similarly praised. “Jinggoy is definitely engaging and fits the role.”
source: Inquirer
entertainment,Bong Revilla,MetroManila Festival,Resiklo
Producer:Maverick Films
Stars Jinggoy Estrada, Lorna Tolentino, Liza Lorena, Vangie Labalan, Bayani Agbayani, Shaina Magdayao, Rayver Cruz, Ricky Davao, Julian Ejercito
Directed by Jose Javier Reyes
A typical Overseas Filipino Worker, Oscar (Estrada) returns to the Philippines for a holiday, only to find that his children have become strangers and his family, both immediate and extended, are dependent on his dollar earnings. Graded A by the Cinema Evaluation Board, this comedy-drama is commended for being an “exceptionally crafted film … very touching, insightful, brimming with sensitivity. Very Filipino, very heartfelt.” A CEB reviewer points out that the film “successfully tackles the plight of OFWs.” The acting of the lead stars is similarly praised. “Jinggoy is definitely engaging and fits the role.”
source: Inquirer
entertainment,Bong Revilla,MetroManila Festival,Resiklo
12.24.2007
MetroManila Film Festival Parade of Stars
Metromanila Festival Parade
Naalala ko pa noon na hinihintay-hintay namin ang Metromanila Film Festival. Hindi pa rin nagbabago ang popularidad nito.
Ito ang balita.
Naalala ko pa noon na hinihintay-hintay namin ang Metromanila Film Festival. Hindi pa rin nagbabago ang popularidad nito.
Ito ang balita.
It may not be the Rose Bowl or Disneyland's Main Street parades, but it has become an annual tradition in local show biz.
On Christmas Eve, while the rest of the city prepared for the noche buena and Midnight Mass, the Metro Manila Film Festival's Parade of Stars, now on its 33rd year, gathered the local entertainment industry's brightest stars.
There were also the scene-stealing crowd pleasers, like a fake Pope played by bit player Rey Bayona and rock icon Pepe Smith.
The "Pope" and Pepe rode the "Banal" float, together with a real-life SWAT (special weapons and tactics) team and actors Christopher de Leon, Alfred Vargas, Paolo Contis and Paolo Paraiso. It was the first MMFF parade for both the Pope and Pepe.
As expected, the star of "Enteng Kabisote 4," Vic Sotto, simply clad in red T-shirt, elicited the loudest cheers from the crowd gathered in front of the Shrine of Jesus church and the SMX Convention Center.
Sen. Bong Revilla, in full futuristic warrior costume, led his movie's youthful cast on the "Resiklo" float, which hewed closely to the film's "recycled robots" theme. According to Andrea Bautista-Ynares, Imus producer and Revilla's sister, the float cost almost P500,000.
The "Banal" float, which boasts a faux police helicopter, cost roughly P300,000. "We got a good discount," said Ina Alegre of ComGuild, producer of "Banal."
"Up for grabs were cash prizes for Best Float, said Ric Camaligan, chair of the MMFF parade committee. "The first placer gets P500,000; second place, P300,000; and third place, P100,000," explained Camaligan. "Top prize will go to the float that best depicts the movie's theme and the one with the most impact on the public."
Best float went to "Resiklo," while second place was awarded to "Sakal, Sakali, Saklolo." Third place was "Bahay Kubo."
Lily Monteverde of Regal Entertainment, producer of "Bahay Kubo" said the movie's float only cost P250,000. "It's a simple nipa hut. Very Pinoy," she said. "Bahay" could have won the top prize but its lead stars Maricel Soriano and Eric Quizon were no-shows, costing it valuable points, explained Camaligan.
Conspicuously absent was Manny Pacquiao, producer and star of "Anak ng Kumander."
Learning from past film festivals, the parade route was considerably shortened this year, said Camaligan.
"Last year, we covered 26 kilometers. We started at the Quezon City Circle and ended at the Cultural Center of the Philippines complex. This year, the parade began at the SM Mall of Asia and ended at the Quirino Grandstand, via Roxas Boulevard. That's roughly eight to nine kilometers," Camaligan noted.
The festival committee decided on a shorter parade to prevent problems encountered in the past.
"Last year, the float of ‘Zsazsa Zaturnnah' overheated, while the float of ‘Super Noypi' ran out of gas," Camaligan recalled.
He related that some stars had to go down the floats, midway during the parade, to answer the call of nature. "That caused delays," he pointed out. "We've learned from past mistakes."
In spite of the hassles, stars seem to look forward to the annual parade.
"It'll be a long day for us," said Vargas, "Banal" star. "But the parade seems more organized this year."
He said he was always excited to attend the parade. "This is my chance to personally greet our fans."
"I don't mind the hassles for as long as I get to see the smiles on the faces of our fans," agreed Judy Ann Santos, star of "Sakal, Sakali, Saklolo," sequel to last year's top grosser, "Kasal, Kasali, Kasalo."
"It feels great to be able to touch the hearts and lives of Pinoys this Christmas season," concurred Ryan Agoncillo, Santos' leading man in "Sakal" and real-life boyfriend.
"This is really for the Pinoy masses to enjoy," said Lorna Tolentino, who plays an overseas Filipino worker's wife in "Katas ng Saudi."
"Apart from helping us promote our movies, it helps us reconnect with our fans and friends in show business. This parade allows us to give back to the movie industry," said Revilla, "Resiklo" star. "Since I'm on break from the Senate, I can spend time with my colleagues from the movie industry."
"This is our chance to get together," said Gina Pareño, Santos' co-star in "Sakal."
For Pareño, Santos and Agoncillo, the parade was like deja vu. "We were together last year. I hope we will be together again next year," Pareño quipped.
For Vargas, it is his third film fest parade. "Every year, my films get good reviews and positive ratings from the Cinema Evaluation Board."
Vargas' co-star, Christopher de Leon, said he had lost count of the number of festivals he joined in the past. "I've had film fest entries since the 1970s," De Leon said.
He did not mind the long hours spent under the sun, he insisted. "It helps me get a good tan," he joked.
Turning serious, he noted that the film fest "is for the small people of the movie industry."
12.30.2006
Metromanila Film Festival 2006 Best Actress
Talo ni Judy Ann Santos ang iba pang mga actresses na emote emote sa nakaraang Metromanila Film Festival. Syempre naman, inspired sya, tapos,kasama pa niya ang kaniyang boypren na si Ryan Agoncillo sa pelikulang Kasal, Kasali, Kasalo.
Personal information about Judy Ann Santos (bio)
Articles about Judy Ann Santos
Judy Ann Santos: Metromanila Film Best Actress
Judy Ann Santos at Ryan Agoncillo baka raw ikakasal na
Judy Ann Santos Galit sa Katrayduran ni Direk Joyce Bernal
entertainment,Cesar Montano,Judy Ann Santos,gretchen,celebrities,Metromanila Filmfestival,claudine baretto
Personal information about Judy Ann Santos (bio)
Articles about Judy Ann Santos
Judy Ann Santos: Metromanila Film Best Actress
Judy Ann Santos at Ryan Agoncillo baka raw ikakasal na
Judy Ann Santos Galit sa Katrayduran ni Direk Joyce Bernal
entertainment,Cesar Montano,Judy Ann Santos,gretchen,celebrities,Metromanila Filmfestival,claudine baretto
Metromanila Film Festival 2006 Best Supporting Actress
Ang beteranang si Gina Pareno ang nananlong Best Supporting actress.
entertainment,Cesar Montano,Judy Ann Santos,gretchen,celebrities,Metromanila Filmfestival,claudine baretto,Gina Pareno
entertainment,Cesar Montano,Judy Ann Santos,gretchen,celebrities,Metromanila Filmfestival,claudine baretto,Gina Pareno
Metromanila Film Festival 2006 Best Theme Song
Best theme song is Hawak Kamay by Yeng Constantino for the movie Kasal, Kasali, Kasalo.
Yehey
entertainment,Cesar Montano,Judy Ann Santos,Hawak Kamay,celebrities,Metromanila Filmfestival,claudine baretto,Gina Pareno,
Yehey
entertainment,Cesar Montano,Judy Ann Santos,Hawak Kamay,celebrities,Metromanila Filmfestival,claudine baretto,Gina Pareno,
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